The Body of a Girl: Difference between revisions
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There are three separate plot elements that eventually come together in '''Body of a Girl'''. First, New Scotland Yard and high government officials are concerned about the alarming rise in organized gangster activities and, under the command of Chief Superintendent Morrissey, determine ways to combat it. One step, apparently related to this, involves promoting Inspector Bill Mercer to Chief Inspector and posting him upriver to the small city of Stoneferry on Thames, an upriver station of Q Division of the Metropolitan Police. (Q Division, it will be recalled, was the division in which Gilbert's better-known [[Patrick Petrella|Inspector Peter Petrella]] spent most of his career.) | There are three separate plot elements that eventually come together in '''Body of a Girl'''. First, New Scotland Yard and high government officials are concerned about the alarming rise in organized gangster activities and, under the command of Chief Superintendent Morrissey, determine ways to combat it. One step, apparently related to this, involves promoting Inspector Bill Mercer to Chief Inspector and posting him upriver to the small city of Stoneferry on Thames, an upriver station of Q Division of the Metropolitan Police. (Q Division, it will be recalled, was the division in which Gilbert's better-known [[Patrick Petrella|Inspector Peter Petrella]] spent most of his career.) | ||
Not long after arriving in Stoneferry, the tough and rather enigmatic Mercer becomes a drinking companion of the one-armed proprietor of the town's leading garage, somewhat to the puzzlement of his fellow policemen, especially as he seems to take a strange interest in the operations of the garage and the history of how it came to occupy its predominant position. | |||
The third component shows up not long after Mercer's arrival: the discovery on a small island in the Thames of the body of a girl; she has been completely buried and been there long enough that now only her clothes and bones remain. Mercer, as a divisional detective, takes charge of the investigation. Because of a handbag found buried nearby, it becomes nearly certain that the remains are those of a teenage girl who was a well-known, but very well-liked, local prostitute and who had suddenly vanished two years earlier. An inquest is called to formally identity the remains but, to the chagrin of the local police, enough further evidence is introduced to make it nearly certain that the victim was a somewhat older woman who could not have been the teenage prostitute. | |||
In spite of being mostly focused on the police and how they methodically track down, arrest, and have prosecuted various professional criminals, there are still surprising twists and turns in the story's plotting, in which apparently straightforward assumptions and/or characters are suddenly revealed to be something completely different. It is, in fact, not until the very last pages that we are sure that the actual perpetrator has been arrested—but not yet brought to trial. And, in a final ironic twist, the odious gangster who has previously been arrested and convicted on a capital murder charge is set free on appeal and now looks to profit greatly from his legal tribulations by selling his story to the newspapers for a large amount of money. As one of Gilbert's editors said after his death in 2006, "He's not a [[hard-boiled writer]] in the classic sense, but there is a hard edge to him, a feeling within his work that not all of society is rational, that virtue is not always rewarded.".<ref>Douglas Greene of Crippen & Landrau, quoted in ''The New York Times'', 15 February 2006</ref> Such is the case here. | In spite of being mostly focused on the police and how they methodically track down, arrest, and have prosecuted various professional criminals, there are still surprising twists and turns in the story's plotting, in which apparently straightforward assumptions and/or characters are suddenly revealed to be something completely different. It is, in fact, not until the very last pages that we are sure that the actual perpetrator has been arrested—but not yet brought to trial. And, in a final ironic twist, the odious gangster who has previously been arrested and convicted on a capital murder charge is set free on appeal and now looks to profit greatly from his legal tribulations by selling his story to the newspapers for a large amount of money. As one of Gilbert's editors said after his death in 2006, "He's not a [[hard-boiled writer]] in the classic sense, but there is a hard edge to him, a feeling within his work that not all of society is rational, that virtue is not always rewarded.".<ref>Douglas Greene of Crippen & Landrau, quoted in ''The New York Times'', 15 February 2006</ref> Such is the case here. | ||
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The Body of a Girl is a suspense novel by the British author Michael Gilbert published in England by Hodder and Stoughton and in the United States by Harper & Row in 1972. It was Gilbert's 15th novel and falls into the category of police procedurals, although it is undoubtedly more hard-boiled in tone than the usual procedurals. Its protagonist is a new character from Gilbert, the tough Inspector Bill Mercer, and a secondary character, Chief Superintendent Morrissey, also makes his first appearance. Gilbert, who created many series characters over his long career, later used both of them in various short stories.
Plot
There are three separate plot elements that eventually come together in Body of a Girl. First, New Scotland Yard and high government officials are concerned about the alarming rise in organized gangster activities and, under the command of Chief Superintendent Morrissey, determine ways to combat it. One step, apparently related to this, involves promoting Inspector Bill Mercer to Chief Inspector and posting him upriver to the small city of Stoneferry on Thames, an upriver station of Q Division of the Metropolitan Police. (Q Division, it will be recalled, was the division in which Gilbert's better-known Inspector Peter Petrella spent most of his career.)
Not long after arriving in Stoneferry, the tough and rather enigmatic Mercer becomes a drinking companion of the one-armed proprietor of the town's leading garage, somewhat to the puzzlement of his fellow policemen, especially as he seems to take a strange interest in the operations of the garage and the history of how it came to occupy its predominant position.
The third component shows up not long after Mercer's arrival: the discovery on a small island in the Thames of the body of a girl; she has been completely buried and been there long enough that now only her clothes and bones remain. Mercer, as a divisional detective, takes charge of the investigation. Because of a handbag found buried nearby, it becomes nearly certain that the remains are those of a teenage girl who was a well-known, but very well-liked, local prostitute and who had suddenly vanished two years earlier. An inquest is called to formally identity the remains but, to the chagrin of the local police, enough further evidence is introduced to make it nearly certain that the victim was a somewhat older woman who could not have been the teenage prostitute.
In spite of being mostly focused on the police and how they methodically track down, arrest, and have prosecuted various professional criminals, there are still surprising twists and turns in the story's plotting, in which apparently straightforward assumptions and/or characters are suddenly revealed to be something completely different. It is, in fact, not until the very last pages that we are sure that the actual perpetrator has been arrested—but not yet brought to trial. And, in a final ironic twist, the odious gangster who has previously been arrested and convicted on a capital murder charge is set free on appeal and now looks to profit greatly from his legal tribulations by selling his story to the newspapers for a large amount of money. As one of Gilbert's editors said after his death in 2006, "He's not a hard-boiled writer in the classic sense, but there is a hard edge to him, a feeling within his work that not all of society is rational, that virtue is not always rewarded.".[1] Such is the case here.
Reception and/or Appraisal
NYT review If the Llewellyn book deals globally with the upper echelons of power politics, Michael Gilbert's THE BODY OF A GIRL (Harper & Row, $5.95), equally good of its kind, is a purely local affair. The action takes place in a small town near London, where the skeleton of a girl has been found. A new chief inspector, who is perhaps not all that he seems to be, takes charge of the case.
Gilbert is a smooth performer. His style is logical and flowing and full of deft touches. “The Body of a Girl” does what a good mystery should do: open up into all kinds of ramifications, with untold menace behind the action. At the end, there is a bang‐up climax, and it is a pleasure to see how skillfully Gilbert wraps everything up. https://www.nytimes.com/1972/03/05/archives/criminals-at-large.html?searchResultPosition=
Kirkus THE BODY OF A GIRL BY MICHAEL GILBERT Kirkus Reviews Issue: Feb. 1, 1971 https://www.kirkusreviews.com/book-reviews/a/michael-gilbert-4/the-body-of-a-girl/ In the once quiet town of Stoneferry on Thames, newly appointed Chief Inspector William Mercer officiates over the recently discovered skeleton of a girl, relates it wrongly to one Sweetie Sowthistle who had disappeared two years ago, and then to another young woman who had worked for the local solicitor. But then there are the Crows, a criminal organization, and a hot car racket, and a literally one but strong armed bandit called John Bull, and all of this is solidly forcefed in an energetic combination of the traditional and the procedural. Mr. Gilbert is at his professional best.
Notes
- ↑ Douglas Greene of Crippen & Landrau, quoted in The New York Times, 15 February 2006