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'''John Coltrane''' (September 23, 1926 - July 17, 1967) was an American jazz musician and composer best known for his work with the tenor and soprano saxophones. Coltrane, nicknamed "Trane" by friends, quickly rose from working as a relatively obscure sideman to having attained the status of jazz legend during his short lived recording career spanning the years 1955 to 1967. During these years, Coltrane performed in a variety of styles spanning [[hard bop]], [[modal jazz]], and the [[free jazz]] movement, although it is never easy for the listener to peg a specific Coltrane song to a specific genre. Coltrane was known for his devotion to musical theory and practice as well as an intense interest in experimentation and musical exploration. His relentless quest for spiritual fulfillment characterized much of his later ouput, particularly his 1964 critically-acclaimed album ''A Love Supreme''. Coltrane is generally regarded among jazz critics as being one of the most influential jazz musicians of his generation as well as one of the most technically proficient saxophone players of all time. Indeed, his skill and influence on the instrument has earned him a place alongside his elders and fellow saxophone revolutionaries [[Lester Young]], [[Ben Webster]], and [[Coleman Hawkins]], and he is regarded as a major inspiration for contemporary jazz musicians, including [[Gilad Atzmon]].
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==Background & early career==
'''John Coltrane''' (September 23, 1926&nbsp;– July 17, 1967) was an [[American]] [[jazz]] musician and composer best known for his work on tenor and soprano [[saxophone]]s.<ref name="PorterDeVito2013">{{cite book|author1=Lewis Porter|author2=Chris DeVito|author3=David Wild|coauthors=Yasuhiro Fujioka, Wolf Schmaler|title=The John Coltrane Reference|url=http://books.google.com/books?id=IvlVu9XCoxUC&pg=PA4|date=26 April 2013|publisher=Routledge|isbn=978-1-135-11257-8|pages=4–}}</ref> Also known as "Trane", he recorded with [[Thelonious Monk]] and then joined [[Miles Davis]]'s band, rapidly rising from  sideman to jazz legend during his short recording career which lasted from 1955 to his death at 40 in 1967.


==1955-1960: Hard bop==
Coltrane performed in a variety of styles spanning [[hard bop]], [[modal jazz]], and [[free jazz]], although it is never easy for the listener to peg a specific Coltrane song to a specific genre. Coltrane was known for his devotion to musical theory and practice as well as an intense interest in experimentation and musical exploration. His relentless quest for spiritual fulfillment characterized much of his later ouput, particularly his 1964 critically-acclaimed album ''[[A Love Supreme]]''. Coltrane is generally regarded among jazz critics as being one of the most influential jazz musicians of his generation as well as one of the most technically proficient saxophone players of all time. Indeed, his skill and influence on the instrument has earned him a place alongside his elders and fellow saxophone revolutionaries [[Lester Young]], [[Ben Webster]], and [[Coleman Hawkins]], and he is regarded as a major inspiration for contemporary jazz musicians, including [[Gilad Atzmon]].


==1960-1965: Classic Quartet==
===Background and early career===


==1965-1967: Free jazz/avant-garde==
===1955–1960: Hard bop===
[[Miles Davis]]'s band


==Impact==
===1955–1960: [[Impulse Records]]===
[[Eric Dolphy]], [[alto saxophone]],  [[Reggie Workman]], [[bass]]
 
===1960–1965: Classic quartet===
[[McCoy Tyner]], [[piano]], [[Jimmy Garrison]], bass. [[Elvin Jones]], [[drums]].
 
===1965–1967: [[Free jazz]]/avant-garde===
Coltrane expanded the band to a sextet, with the addition of a second tenor, [[Pharoah Sanders]], and a second drummer, [[Rashied Ali]].  Tyner and Jones left the band, not liking the musical direction. 'All I could hear was a lot of noise' said Jones. Coltrane brought in his wife [[Alice Coltrane|Alice]] on piano: thus his last band was a quintet.
 
==References==
{{reflist}}


==Sources==
==Sources==


Martin, Henry, and Keith Waters. Jazz: the First 100 Years. 2nd ed. Thomson Schirmer, 2006. 274-284.
Martin, Henry, and Keith Waters. ''Jazz: The First 100 Years''. 2nd ed. Thomson Schirmer, 2006. 274–284.


[[Category:CZ Live]]
"A Sound Supreme: Geoff Dyer's Review of Ben Ratcliff's ''Coltrane: The Story of a Sound''", ''Guardian Weekly'', 25 January 2008.[[Category:Suggestion Bot Tag]]
[[Category:Music Workgroup]]

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John Coltrane (September 23, 1926 – July 17, 1967) was an American jazz musician and composer best known for his work on tenor and soprano saxophones.[1] Also known as "Trane", he recorded with Thelonious Monk and then joined Miles Davis's band, rapidly rising from sideman to jazz legend during his short recording career which lasted from 1955 to his death at 40 in 1967.

Coltrane performed in a variety of styles spanning hard bop, modal jazz, and free jazz, although it is never easy for the listener to peg a specific Coltrane song to a specific genre. Coltrane was known for his devotion to musical theory and practice as well as an intense interest in experimentation and musical exploration. His relentless quest for spiritual fulfillment characterized much of his later ouput, particularly his 1964 critically-acclaimed album A Love Supreme. Coltrane is generally regarded among jazz critics as being one of the most influential jazz musicians of his generation as well as one of the most technically proficient saxophone players of all time. Indeed, his skill and influence on the instrument has earned him a place alongside his elders and fellow saxophone revolutionaries Lester Young, Ben Webster, and Coleman Hawkins, and he is regarded as a major inspiration for contemporary jazz musicians, including Gilad Atzmon.

Background and early career

1955–1960: Hard bop

Miles Davis's band

1955–1960: Impulse Records

Eric Dolphy, alto saxophone, Reggie Workman, bass

1960–1965: Classic quartet

McCoy Tyner, piano, Jimmy Garrison, bass. Elvin Jones, drums.

1965–1967: Free jazz/avant-garde

Coltrane expanded the band to a sextet, with the addition of a second tenor, Pharoah Sanders, and a second drummer, Rashied Ali. Tyner and Jones left the band, not liking the musical direction. 'All I could hear was a lot of noise' said Jones. Coltrane brought in his wife Alice on piano: thus his last band was a quintet.

References

  1. (26 April 2013) The John Coltrane Reference. Routledge, 4–. ISBN 978-1-135-11257-8. 

Sources

Martin, Henry, and Keith Waters. Jazz: The First 100 Years. 2nd ed. Thomson Schirmer, 2006. 274–284.

"A Sound Supreme: Geoff Dyer's Review of Ben Ratcliff's Coltrane: The Story of a Sound", Guardian Weekly, 25 January 2008.