Robert Bane: Difference between revisions

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imported>Jonathan Pike
(Subsequently, she may have ended her relationship in a timeframe of about 2010 and as far back as 2003 ....( more research needed from 2004 exams data at BK of 2007-2009))
imported>Jonathan Pike
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  | publisher = Art History Archive}}</ref>
  | publisher = Art History Archive}}</ref>


The Bane businesses began working with Japanese artist [[Hajime Sorayama]] in 1994.  Subsequently, in the two trials under [[Hajime Sorayama v. Tamara Bane Gallery]], the court awarded damages and injunctions to the artist. Liquidation sales are being conducted. <ref>{{citation
The Robert Bane and Tamara Feuer - Bane businesses began working with Japanese artist [[Hajime Sorayama]] in 1994.  Subsequently, in the two trials under [[Hajime Sorayama v. Tamara Bane Gallery]], the court awarded damages and injunctions to the artist. Liquidation sales are being conducted. <ref>{{citation
  | url = http://www.artistvsbane.com/Perez_Sales.html
  | url = http://www.artistvsbane.com/Perez_Sales.html
  |title = Fabian Perez & Pin Up Liquidation}}</ref>
  |title = Fabian Perez & Pin Up Liquidation}}</ref>

Revision as of 21:24, 2 January 2010

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This editable Main Article is under development and subject to a disclaimer.

Robert Bane is an art publisher and gallery owner, with Fabian Perez as artist and business partner, and wife and gallery operator Tamara Feuer - Bane.[1] It has specialized in the pin-up and glamour genres.

In 1984, the firm first published the work of Olivia de Berardinis, and the gallery opened with an a one-woman show for her in 1987. Subsequently, she may have ended her relationship in a timeframe of about 2010 and as far back as 2003 and began self-publishing about late 2005. [2]

The Robert Bane and Tamara Feuer - Bane businesses began working with Japanese artist Hajime Sorayama in 1994. Subsequently, in the two trials under Hajime Sorayama v. Tamara Bane Gallery, the court awarded damages and injunctions to the artist. Liquidation sales are being conducted. [3]

References