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  • ...ertare'' meaning "to compete" or "to fight." In its broadest definition, a concerto is a piece of [[orchestra|orchestral]] music that uses the contrast of two ...rto for a single player against an orchestra) and the "concerto grosso" (a concerto for an ensemble playing against the remainder of the orchestra), although s
    5 KB (798 words) - 20:15, 6 April 2010
  • 156 bytes (22 words) - 19:50, 6 April 2010
  • ...ncerto died out during the eighteenth century while the modern form of the concerto grew in prominence in this same period.
    1 KB (203 words) - 10:59, 14 November 2007
  • Auto-populated based on [[Special:WhatLinksHere/Concerto]]. Needs checking by a human.
    490 bytes (62 words) - 15:38, 11 January 2010
  • 12 bytes (1 word) - 10:59, 14 November 2007
  • ...), p. ix.</ref> In Beethoven’s day, however, the critical reception of the concerto was largely negative. ...ng style.”<ref>Stowell, p. 29.</ref> Another influence on the style of the concerto may have been the Violin Concertos of Giovanni Battista Viotti, which were
    4 KB (586 words) - 16:41, 22 July 2009
  • 94 bytes (13 words) - 02:43, 20 May 2008
  • Auto-populated based on [[Special:WhatLinksHere/Ripieno concerto]]. Needs checking by a human.
    430 bytes (55 words) - 20:03, 11 January 2010
  • Concerto by Beethoven celebrated as the 'King of Concertos', scored in three movemen
    206 bytes (30 words) - 08:19, 3 September 2009
  • 12 bytes (1 word) - 01:07, 9 March 2008
  • Grove, George. “Beethoven’s Violin Concerto. (Op. 61)”, ''The Musical Times'' 46 (1 Jul. 1905): 459-71. ...wen. “Romantic Form and Content in the Slow Movement of Beethoven’s Violin Concerto”, ''The Musical Quarterly'' 69 (Spring, 1983): 159-179.
    2 KB (225 words) - 15:02, 4 March 2009
  • #REDIRECT [[Violin Concerto No. 1 (Bruch)]]
    43 bytes (5 words) - 10:02, 9 June 2009
  • Auto-populated based on [[Special:WhatLinksHere/Violin Concerto (Beethoven)]]. Needs checking by a human.
    453 bytes (58 words) - 21:31, 11 January 2010
  • '''[[Max Bruch]]''' composed his '''Violin Concerto Number 1''' in G minor, Opus 26, in 1866, when he was 28 years old. One of A highly romantic concerto in the usual classical three movements,
    609 bytes (96 words) - 10:02, 9 June 2009

Page text matches

  • ...ncerto died out during the eighteenth century while the modern form of the concerto grew in prominence in this same period.
    1 KB (203 words) - 10:59, 14 November 2007
  • #REDIRECT [[Violin Concerto No. 1 (Bruch)]]
    43 bytes (5 words) - 10:05, 9 June 2009
  • #REDIRECT [[Violin Concerto No. 1 (Bruch)]]
    43 bytes (5 words) - 10:02, 9 June 2009
  • *Symphony No. 5/Concerto Grosso No. 4 (1988) *Violin Concerto No. 1 (1957/1962)
    2 KB (264 words) - 09:38, 18 February 2010
  • '''[[Max Bruch]]''' composed his '''Violin Concerto Number 1''' in G minor, Opus 26, in 1866, when he was 28 years old. One of A highly romantic concerto in the usual classical three movements,
    609 bytes (96 words) - 10:02, 9 June 2009
  • *Piano Concerto No. 1 (1933) *Piano Concerto No. 2 (1957)
    2 KB (214 words) - 06:17, 9 November 2021
  • A concerto for violin and orchestra composed by Sofia Gubaidulina in 1980 and revised
    140 bytes (18 words) - 07:52, 3 September 2009
  • A symphony-concerto hybrid, typically organized in two movements, and scored for up to six solo
    195 bytes (27 words) - 08:12, 3 September 2009
  • Concerto by Beethoven celebrated as the 'King of Concertos', scored in three movemen
    206 bytes (30 words) - 08:19, 3 September 2009
  • ...ertare'' meaning "to compete" or "to fight." In its broadest definition, a concerto is a piece of [[orchestra|orchestral]] music that uses the contrast of two ...rto for a single player against an orchestra) and the "concerto grosso" (a concerto for an ensemble playing against the remainder of the orchestra), although s
    5 KB (798 words) - 20:15, 6 April 2010
  • *[[Violin concerto]]
    194 bytes (22 words) - 00:48, 21 November 2007
  • ...), p. ix.</ref> In Beethoven’s day, however, the critical reception of the concerto was largely negative. ...ng style.”<ref>Stowell, p. 29.</ref> Another influence on the style of the concerto may have been the Violin Concertos of Giovanni Battista Viotti, which were
    4 KB (586 words) - 16:41, 22 July 2009
  • *''[[Concerto for Piano (Stravinsky)|Concerto for Piano]]'' (1924) *''[[Concerto in D for Violin (Stravinsky)|Concerto in D for Violin]]'' (1931)
    3 KB (383 words) - 13:22, 2 February 2023
  • {{r|Ripieno concerto}}
    213 bytes (23 words) - 19:04, 8 January 2010
  • Grove, George. “Beethoven’s Violin Concerto. (Op. 61)”, ''The Musical Times'' 46 (1 Jul. 1905): 459-71. ...wen. “Romantic Form and Content in the Slow Movement of Beethoven’s Violin Concerto”, ''The Musical Quarterly'' 69 (Spring, 1983): 159-179.
    2 KB (225 words) - 15:02, 4 March 2009
  • {{r|Concerto for Group and Orchestra}}
    399 bytes (59 words) - 07:01, 7 March 2010
  • # piano concerto no. 1 # piano concerto no. 2
    5 KB (665 words) - 05:25, 1 November 2016
  • Auto-populated based on [[Special:WhatLinksHere/Ripieno concerto]]. Needs checking by a human.
    430 bytes (55 words) - 20:03, 11 January 2010
  • Auto-populated based on [[Special:WhatLinksHere/Violin Concerto (Beethoven)]]. Needs checking by a human.
    453 bytes (58 words) - 21:31, 11 January 2010
  • Auto-populated based on [[Special:WhatLinksHere/Concerto]]. Needs checking by a human.
    490 bytes (62 words) - 15:38, 11 January 2010
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