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  • ...is not explicitly 'about' anything, non-representational or non-objective. Absolute music has no words and no references to stories, scenes, illustrations or any oth
    449 bytes (66 words) - 17:35, 22 February 2010
  • #REDIRECT [[Absolute music]]
    28 bytes (3 words) - 22:52, 22 February 2010
  • 137 bytes (15 words) - 17:41, 22 February 2010
  • *Ashby, Arved Mark (2010) ''Absolute Music, Mechanical Reproduction''. Berkeley: University of California Press. ISBN *Chua, Daniel K L (1999) ''Absolute Music and the Construction of Meaning''. Cambridge, UK; New York: Cambridge Unive
    476 bytes (62 words) - 21:00, 22 February 2010
  • 328 bytes (44 words) - 20:40, 22 February 2010

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  • ...is not explicitly 'about' anything, non-representational or non-objective. Absolute music has no words and no references to stories, scenes, illustrations or any oth
    449 bytes (66 words) - 17:35, 22 February 2010
  • {{rpl|Absolute music}}
    123 bytes (16 words) - 22:50, 22 February 2010
  • *Ashby, Arved Mark (2010) ''Absolute Music, Mechanical Reproduction''. Berkeley: University of California Press. ISBN *Chua, Daniel K L (1999) ''Absolute Music and the Construction of Meaning''. Cambridge, UK; New York: Cambridge Unive
    476 bytes (62 words) - 21:00, 22 February 2010
  • #REDIRECT [[Absolute music]]
    28 bytes (3 words) - 22:52, 22 February 2010
  • ...e composer in words, but is about "itself". The most prominent adherent of absolute music in the nineteenth century was [[Johannes Brahms]].
    2 KB (225 words) - 06:38, 8 January 2008