Richard Condon

Richard Thomas Condon (New York, New York, March 18, 1915 – Dallas, Texas, April 9, 1996), was a prolific and popular American novelist whose works were almost obsessively focused on monetary greed and political corruption. Fast-moving and easily accessible, they generally combined elements of political satire, bare-knuckled outrage at the greed and corruption of those in power, and were written with extravagant characterizations and a uniquely sparkling and frequently humorous style. Condon himself once said: "Every book I've ever written has been about abuse of power. I feel very strongly about that. I'd like people to know how deeply their politicians wrong them." Condon occasionally achieved bestseller status, and many of his books were made into films, but today he is primarily remembered for two of his works: an early book, The Manchurian Candidate of 1959, and, many years later, for four novels about a family of New York gangsters named Prizzi.

Although not perhaps actually originated by Condon himself, his use of "the Manchurian Candidate" made the phrase a part of the English language. Frank Rich, for example, in his column in the "Sunday Opinion" of The New York Times of August 17, 2008, writes of Barack Obama, with a reference to the actress and a well-known plot element in the first movie version of Condon's 1959 book:

"He's been done in by that ad with Britney [Spears] and Paris [Hilton] and a new international crisis that allows [John] McCain to again flex his Manchurian Candidate military cred. Let the neocoms identify a new battleground for igniting World War III... and McCain gets with the program as if Angela Lansbury has just dealt him the Queen of Hearts".

Condon's works are difficult to precisely categorize; the headline of his obituary in The New York Times called him a "political novelist". It went on to say that "Novelist is too limited a word to encompass the world of Mr. Condon. He was also a visionary, a darkly comic conjurer, a student of American mythology and a master of conspiracy theories, as vividly demonstrated in 'The Manchurian Candidate.'" Although his books combined many different elements, including occasional outright fantasy and science fiction, they were, above all, written to entertain the general public. He had, however, a genuine disdain, outrage, and even hatred, for many of the mainstream political corruptions that he found so prevalent in American life, and he attacked them wholeheartedly but with a uniquely original style and wit that made a Condon paragraph from almost any of his books instantly recognizable. Reviewing one of his works in the International Herald Tribune, the well-known playwright George Axelrod (The Seven-Year Itch, Will Success Spoil Rock Hunter), who had collaborated with Condon on the screenplay for the film adaptation of The Manchurian Candidate, wrote:

"The arrival of a new novel by Richard Condon is like an invitation to a party.... the sheer gusto of the prose, the madness of his similies, the lunacy of his metaphors, his infectious, almost child-like joy in composing complex sentences that go bang at the end in the manner of exploding cigars is both exhilarating and as exhausting as any good party ought to be."

For many years a Hollywood publicity man for Walt Disney and other studios, Condon took up writing relatively late in life and his first novel, The Oldest Confession, was not published until he was 43. His next book, The Manchurian Candidate, which combined all the elements that defined his works for the next 30 years, nefarious conspiracies, satire, black humor, outrage at political and financial corruption in the American scene, breath-taking elements from thrillers and spy fiction, horrific and grotesque violence, and an obsession with the minutiae of food, drink, and fast living, quickly made him, for a few years at least, the center of a cult devoted to his works. As he quickly produced more and more books with the same central themes, however, his cult following fell away and his critical reputation diminished. But over the next three decades Condon continued to pull occasional surprises from his literary hat with books such as Mile High, Winter Kills, and the first of the Prizzi books, Prizzi's Honor, that returned him to favor, both with the critics and the book-buying public.

Of his numerous books that were turned into Hollywood movies, The Manchurian Candidate was filmed twice. The first version, in 1962, which starred Frank Sinatra and Angela Lansbury, followed the book with great fidelity, and is now generally recognized as one of the greatest films of all time. At the time, however, because of its perceived parallels with the 1963 assassination of John F. Kennedy, it was quickly removed from circulation and it was not until its re-release in 1998 that it began to garner a general but belated acclaim. Janet Maslin, writing in The New York Times, said that it was "arguably the most chilling piece of cold war paranoia ever committed to film, yet by now it has developed a kind of innocence."

Works, all novels except as noted

• The Oldest Confession, Appleton Century Crofts, New York, 1958; Longman, London, 1959, as The Happy Thieves
• The Manchurian Candidate (1959)
• Some Angry Angel: A Mid-Century Faerie Tale (1960)
• A Talent for Loving: or, The Great Cowboy Race (1961)
• An Infinity of Mirrors (1965)
• Any God Will Do (1966)
• The Ecstasy Business (1967)
• Mile High (1969)
• The Vertical Smile (1971)
• Arigato (1972)
• The Mexican Stove (1973)—cookbook co-written with his daughter Wendy Bennett
• And Then We Moved to Rossenarra: or, The Art of Emigrating, The Dial Press, New York, 1973—memoir
• Winter Kills (1974)
• The Star-Spangled Crunch (1974)
• Money Is Love (1975)
• The Whisper of the Axe (1976)
• Death of a Politician (1978)
• Bandicoot (1979)
• The Entwining (1981)
• Prizzi's Honor (1982)
• A Trembling upon Rome (1983)
• Prizzi's Family (1986)
• Prizzi's Glory (1988)
• Emperor of America (1990)
• The Final Addiction (1991)
• The Venerable Bead (1992)
• Prizzi's Money (1993)