Easter parade: Difference between revisions

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A few years before that, dry goods merchants and milleners had begun commercial promotion of Easter and the Easter parade. A dozen years later, there was no bigger annual event in retailing.
A few years before that, dry goods merchants and milleners had begun commercial promotion of Easter and the Easter parade. A dozen years later, there was no bigger annual event in retailing.


By the mid-twentieth century, the parade was widely seen as a demonstration of American prosperity. In 1955, ''The Saturday Evening Post'' stated that New York's springtime pageant was only an incidental celebration of a religious holiday, and had become a reflection of the fact that, in America, a person was as good as the clothes and other goods he or she was able to buy. The parade itself had become an unstructured, boundless event, with no apparent beginning, ending, organization, or purpose. What had begun in the 1870's as a parade of refinement and religious display had become nothing more than an ostentatious frolic.  
By the mid-twentieth century, the parade was widely seen as a demonstration of American prosperity. In 1955, ''The Saturday Evening Post'' stated that New York's springtime pageant was only an incidental celebration of a religious holiday, and had become a reflection of the fact that, in America, a person was as good as the clothes and other goods he or she was able to buy. The parade itself had become an unstructured, boundless event, with no apparent beginning, ending, organization, or purpose. What had begun in the 1870's as a parade of refinement and religious display had become nothing more than an ostentatious frolic.
 
In 2008, the Easter parade has become Halloween-like, with both people and pets in outlandish costumes, and outlandish hats featuring themes such as live birds in flowery cages.


==Other venues==
==Other venues==

Revision as of 18:41, 13 April 2008

The Easter parade is an American cultural event consisting of a promenade on Easter Sunday. Typically, it is an informal and unorganized event. The parade is most closely associated with Fifth Avenue in New York City, but smaller parades are often held in other cities. Persons participating in an Easter parade traditionally dress in fine new clothing, particularly ladies' hats, and strive to show it off to others. Starting as a spontaneous event in the 1870's, the New York parade became increasingly popular into the mid-twentieth century—in 1947, it was estimated to draw over a million persons. By 2000 its popularity had declined significantly, drawing only 30,000 people in 2008.

Ancient origins

Having new clothes for Easter had deep roots in European religious customs. Sacred times called for special forms of dress to mark the holy celebration. Distinctive garb for Easter, like one's "Sunday best" and the special vestments of priests, for centuries had shown the solemnity and sacredness of the season. There is an old proverb that if on Easter Sunday some part of one's outfit is not new, one will not enjoy good luck during the year.

History in New York

From the 1880's through the 1950's, New York's Easter parade was one of the main cultural expressions of Easter in the United States. It was one of the fundamental ways that Easter was identified and celebrated.

The seeds of the parade were sown in New York's highly ornamented churches—Gothic buildings such as Trinity Episcopal Church, St. Patrick's Cathedral, and St. Thomas' Episcopal Church. In the mid-nineteenth century, these churches began decorating their sanctuaries with Easter flowers. These displays soon became defining examples of style, taste, abundance, and novelty, and those who attended the churches began to incorporate these values into their own dress. In 1873, a newspaper report about Easter at Christ Church said "More than half the congregation were ladies, who displayed all the gorgeous and marvelous articles of dress,... and the appearance of the body of the church thus vied in effect and magnificence with the pleasant and tasteful array of flowers which decorated the chancel."

By the 1880s, the promenade had been clearly defined as an afternoon event, including visiting numerous churches to see their beautiful flowers. It had become New York's and the country's great annual fashion show.

A few years before that, dry goods merchants and milleners had begun commercial promotion of Easter and the Easter parade. A dozen years later, there was no bigger annual event in retailing.

By the mid-twentieth century, the parade was widely seen as a demonstration of American prosperity. In 1955, The Saturday Evening Post stated that New York's springtime pageant was only an incidental celebration of a religious holiday, and had become a reflection of the fact that, in America, a person was as good as the clothes and other goods he or she was able to buy. The parade itself had become an unstructured, boundless event, with no apparent beginning, ending, organization, or purpose. What had begun in the 1870's as a parade of refinement and religious display had become nothing more than an ostentatious frolic.

In 2008, the Easter parade has become Halloween-like, with both people and pets in outlandish costumes, and outlandish hats featuring themes such as live birds in flowery cages.

Other venues

As New York's parade grew in prominence, other places developed their own versions. Philadelphia and Boston were among these, as were Coney Island and Atlantic City, where the parades became tourist attractions. In 1925, Coney Island merchants hired fifty show girls to parade in bathing suits as part of the event. The crowds were huge. During the 1920's, Atlantic City's parade attracted 200,000 and more. The parade there had become a vacation carnival of costuming and consumption—a rollicking amusement for the tourist.

See also

[1] [2] [3] [4] [5] [6] [7]

References

  1. Barnett, James H. (February 1949). "The Easter Festival—A Study in Cultural Change". American Sociological Review 14 (1): 62-70. Retrieved on 2008-04-13.
  2. Bergreen, Laurence (1990). As Thousands Cheer: The Life of Irving Berlin. New York: Viking Penguin. ISBN 0-670-81874-7. 
  3. Collins, Ace (2007). Stories Behind the Traditions and Songs of Easter. Grand Rapids, Michigan: Zondervan. ISBN 0-310-26315-8. 
  4. Schmidt, Leigh Eric (1995). Consumer Rites: The Buying and Selling of American Holidays. Princeton, New Jersey: Princeton University Press. ISBN 0-691-01721-2. 
  5. Schmidt, Leigh Eric (Summer, 1994). "The Easter Parade: Piety, Fashion, and Display". Religion and American Culture 4 (2): 135-164. Retrieved on 2008-04-13.
  6. Shoemaker, Alfred L. (2000). Eastertide in Pennsylvania: A Folk-Cultural Study. Mechanicsburg, Pennsylvania: Stackpole Books. ISBN 081170458-X. 
  7. NYC Easter Parade: Fashion Meets Fantasy, March, 2008. Retrieved on 2008-04-13.