Alberto Vargas: Difference between revisions

From Citizendium
Jump to navigation Jump to search
imported>Karsten Meyer
(New page: '''Alberto Vargas''' (1896-1982) was an american pin-up artist. == Further reading == * Charles G. Martignette and Louis K. Meisel: The Great American Pin-Up. Verlag Taschen, 1996...)
 
imported>Howard C. Berkowitz
No edit summary
 
Line 1: Line 1:
'''Alberto Vargas''' (1896-1982) was an american pin-up artist.
{{subpages}}
'''Alberto Vargas''' (1896-1982) was an American [[pin-up art]]ist.


== Further reading ==
His first magazine work was with [[Esquire (magazine)|''Esquire'']]. It used both artwork and photographs; the best-known early artist was [[George Petty]], although he was later replaced by [[Alberto Vargas]], who was less expensive and then less well known.
* [[Charles G. Martignette]] and [[Louis K. Meisel]]: The Great American Pin-Up. Verlag Taschen, 1996, ISBN 3-8228-8402-2
 
* [[Tom Robotham]]: VARGA. Magna Books, 1991, ISBN 1-85422-522-7
Commercial pin-ups increasingly challenged limits. [[Playboy (magazine)|''Playboy'' magazine]] moved well beyond ''Esquire'' in December 1953, printing a foldout that showed bare breasts, and suggesed full nudity but did not display genitalia. It welcomed Vargas and other skilled non-photographic artists, while interviews with its photographers and photo editors were studied in serious photography magazines.  It evoked both moral condemnation and great sales.

Latest revision as of 21:00, 17 August 2010

This article is developing and not approved.
Main Article
Discussion
Related Articles  [?]
Bibliography  [?]
External Links  [?]
Citable Version  [?]
 
This editable Main Article is under development and subject to a disclaimer.

Alberto Vargas (1896-1982) was an American pin-up artist.

His first magazine work was with Esquire. It used both artwork and photographs; the best-known early artist was George Petty, although he was later replaced by Alberto Vargas, who was less expensive and then less well known.

Commercial pin-ups increasingly challenged limits. Playboy magazine moved well beyond Esquire in December 1953, printing a foldout that showed bare breasts, and suggesed full nudity but did not display genitalia. It welcomed Vargas and other skilled non-photographic artists, while interviews with its photographers and photo editors were studied in serious photography magazines. It evoked both moral condemnation and great sales.