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* [[Jay Parini]] ([[1995]]), ''John Steinbeck: A Biography'', Henry Holt & Co.
* [[Jay Parini]] ([[1995]]), ''John Steinbeck: A Biography'', Henry Holt & Co.
* "Writer in the American Grain," Charles Poore, [[New York Times]]  [[December 21]], [[1968]] p. 31
* "Writer in the American Grain," Charles Poore, [[New York Times]]  [[December 21]], [[1968]] p. 31
{{Nobel Prize in Literature Laureates 1951-1975}}


[[Category:Literature Workgroup]]
[[Category:Literature Workgroup]]

Revision as of 21:16, 3 April 2007

Bust of John Steinbeck on Cannery Row in Monterey, California

John Ernst Steinbeck III (February 27, 1902 – December 20, 1968) was one of the best known and most widely read American writers of the 20th century. A winner of the Nobel Prize for Literature in 1962, he is best known for his novella Of Mice and Men (1937) and his Pulitzer Prize-winning novel The Grapes of Wrath (1939), both of which examine the lives of the working class and the migrant worker during the Great Depression.

Steinbeck wrote in the naturalist style, portraying people as the center of his stories. His people and his stories were taken from real life struggles in the first half of the 20th century. His body of work reflects his wide range of interests, including marine biology, jazz, politics, philosophy, history, and myth.

Seventeen of his works, including Cannery Row (1945) and The Pearl (1947), went on to become Hollywood films, and Steinbeck himself achieved success as a Hollywood writer, garnering an Academy Award nomination for Best Writing for Alfred Hitchcock's Lifeboat, in 1945.

He is known as a regionalist, naturalist, mystic, proletarian writer, moved to anger by the brutality of the Depression.


Biography

Early life and work

The house in which John Steinbeck lived until he was 17 years old in Salinas, California.

Steinbeck was born to John Ernst Steinbeck II (a first-generation American of German descent, whose family name was originally Grossteinbeck), and Olive Steinbeck (born Hamilton) (also a first-generation American, but of Scots-Irish descent) in Salinas, California. He had three sisters: two older and one younger. Steinbeck's father worked in county government as the treasurer for the City of Salinas, and Steinbeck's mother, Olive, was a teacher.

Steinbeck enrolled at Stanford University in 1919 and attended off and on until 1925 when he officially left Stanford, without getting a degree, to pursue his dream as a writer.

Steinbeck's first novel, published in 1929, was the unsuccessful mythological work Cup of Gold. He married Carol Henning in 1930 and while he continued to write, he also cared for his ailing parents—his mother died in 1934, and his father in 1935. Steinbeck achieved his first critical success with the novel Tortilla Flat (1935), which won the California Commonwealth Club's Gold Medal. The story of the adventures of young men in Monterey during the Great Depression was made into a film of the same name in 1942, starring Spencer Tracy, Hedy Lamarr, and John Garfield.

His second wife Gwyndolyn Steinbeck (born Conger), gave him two sons. Thomas Myles Steinbeck was born in 1944 and his second son, John Steinbeck IV was born in 1946. The marriage ended soon after his second son's birth.

In 1950, he married Elaine Scott, the ex-wife of actor Zachary Scott. He remained with her until his death.

Critical success

File:Miceandmen.gif

Back in California, Steinbeck found his stride in writing "California novels" and Dust Bowl fiction, set among common people in the Great Depression. His socially-conscious novels about the struggles of rural workers achieved major critical success. Of Mice and Men, his novella about the dreams of a pair of migrant laborers working the California soil, was critically acclaimed. Broadway producer Sam H. Harris approached Steinbeck to adapt his own novella as a stage play, although Steinbeck had no previous experience as a playwright, and did not consider himself up to the task. Harris also engaged veteran director George S. Kaufman to direct the play, as yet unwritten. It was Kaufman who guided and encouraged Steinbeck all through the process of adapting his novella for the stage. Because Steinbeck would ultimately write only two stage plays (his second was an adaptation of The Moon Is Down), and because Kaufman was an experienced playwright, it is often assumed that Kaufman was Steinbeck's uncredited co-author. However, correspondence between Steinbeck and Kaufman verifies that the revisions were entirely done by Steinbeck.

The stage adaptation was a smash hit, starring Broderick Crawford as the dim-witted but physically powerful itinerant farmhand "Lennie" and Wallace Ford as Lennie's companion, "George". However, Steinbeck refused to travel from his home in California to attend any performance of the play during its New York run, telling Kaufman that the play as it existed in his own mind was "perfect", and that anything presented onstage would inevitably be a disappointment.

The play was rapidly adapted into a 1939 Hollywood film, in which Lon Chaney Jr. played "Lennie" (he had already portrayed this role in the Los Angeles production of the play) and Burgess Meredith was cast as "George." Steinbeck followed this wave of success with The Grapes of Wrath (1939), based on newspaper articles he had written in San Francisco, and considered by many to be his finest work. The novel won the Pulitzer Prize for the Novel in 1940 even as it was made into a famous film version starring Henry Fonda and directed by John Ford.

The success of The Grapes of Wrath, however, was not free of controversy, as Steinbeck's liberal political views, portrayal of the ugly side of capitalism, and mythical reinterpretation of the historical events of the Dust Bowl migrations[1] led to backlash against the author, especially close to home. In fact, claiming the book was obscene and misrepresented conditions in the county, the Kern County Board of Supervisors banned the book from the county's public schools and libraries in August 1939, lasting until January 1941.[2] Of the controversy, Steinbeck himself wrote, "The vilification of me out here from the large landowners and bankers is pretty bad. The latest is a rumor started by them that the Okies hate me and have threatened to kill me for lying about them. I'm frightened at the rolling might of this damned thing. It is completely out of hand; I mean a kind of hysteria about the book is growing that is not healthy."[3]

The film versions of The Grapes of Wrath and Of Mice and Men (by two different movie studios) were in production simultaneously, and Steinbeck spent a full day on the set of The Grapes of Wrath, then the next day on the set of Of Mice and Men.

1940s–1960s

The Gulf of California (highlighted)

Template:Sectstub In 1940, Steinbeck's interest in marine biology and his friendship with Ed Ricketts led him to voyage in the Gulf of California, also known as the "Sea of Cortez," where they collected biological specimens. Their account of this trip was later published as The Log from the Sea of Cortez, and describes the daily experiences of the trip. Ed Ricketts had a tremendous impact on Steinbeck's writing. Not only did he help Steinbeck while he was in the process of writing, but he aided Steinbeck in his social adventures. Steinbeck would frequently go on trips with Ricketts to collect biological specimens and have a good time away from his writing. This down time gave Steinbeck an opportunity to think about things other than his writing, and gave him some very significant ideas. Ricketts' impact on Steinbeck was so great that Steinbeck decided to base his character "Doc" in Cannery Row, on Ricketts. Steinbeck's relationship with Ricketts would end when Steinbeck moved away from Salinas, California, to pursue a life away from his wife Carol.

During the Second World War, Steinbeck served as a war correspondent for the New York Herald Tribune. Some of his writings from his correspondence days were later collected and made into Once There Was A War (1958).

He continued to work in film, writing Alfred Hitchcock's Lifeboat (1944), and the film A Medal for Benny (1945), about paisanos from Tortilla Flat going to war.

His novel The Moon is Down (1942), about the Socrates-inspired spirit of resistance in a Nazi-occupied village in northern Europe, was made into a film almost immediately. It is presumed that the country in question was Norway, and in 1945 Steinbeck received the Haakon VII Medal of freedom for his literary contributions to the Norwegian resistance movement.

After the war, he wrote The Pearl (1947), already knowing it would be filmed.[4], and traveled to Mexico for the filming; on this trip he would be inspired by the story of Emiliano Zapata, and wrote a film script that was directed by Elia Kazan and starred Marlon Brando and Anthony Quinn.

In 1948 Steinbeck again toured the Soviet Union, together with renowned photographer Robert Capa. In the same year he was also elected to the American Academy of Arts and Letters.

Following his divorce of Gwyndolyn Conger, and the sudden, tragic death of his close friend Ed Ricketts, Steinbeck wrote one of his most popular novels, East of Eden (1952). This book, which he wrote to give his sons some idea of their heritage, was the book he repeatedly wrote of as his best and his life's work.

Following the success of Viva Zapata!, Steinbeck collaborated with Kazan on the theatrical production of East of Eden, James Dean's film debut. Steinbeck did not care for Dean, he claimed that the actor was arrogant, but said that Dean was the perfect person to play Cal Trask.

Steinbeck was a friend to Presidents John F. Kennedy and Lyndon B. Johnson.

Steinbeck's last novel, "The Winter of Our Discontent", was written in 1961. In many of his letters to friends, he spoke of how this book was his statement on the moral decay of the US culture. Like many of his works, it was critically savaged; unlike his previous works, it also did not find popularity with the masses.

In 1962, Steinbeck won the Nobel Prize for Literature for his “realistic and imaginative writing, combining as it does sympathetic humor and keen social perception.” In his acceptance speech, he said,

"the writer is delegated to declare and to celebrate man's proven capacity for greatness of heart and spirit – for gallantry in defeat, for courage, compassion and love. In the endless war against weakness and despair, these are the bright rally flags of hope and of emulation. I hold that a writer who does not passionately believe in the perfectibility of man has no dedication nor any membership in literature."[5]

In 1964, Steinbeck was awarded the United States Medal of Freedom by President Johnson.

In 1967, at the behest of Newsday magazine, Steinbeck went to Vietnam to report on the war there. Thinking that the Vietnam War was a heroic venture, he was considered a Hawk for his position on that war. His sons both served in Vietnam prior to his death.

Legacy

The Salinas, California area, including the Salinas Valley, Monterey, and parts of the nearby San Joaquin Valley, acted as a setting for many of his stories. Because of his feeling for local color, the area is now sometimes called "Steinbeck Country".

The day after Steinbeck's death in New York City, reviewer Charles Poore wrote in the New York Times: "John Steinbeck's first great book was his last great book. But Good Lord, what a book that was and is: The Grapes of Wrath." Poore noted a "preachiness" in Steinbeck's work, "as if half his literary inheritance came from the best of Mark Twain—and the other half from the worst of Cotton Mather." But he asserted that "Steinbeck didn't need the Nobel Prize—the Nobel judges needed him." Poore concluded: "His place in [U.S.] literature is secure. And it lives on in the works of innumerable writers who learned from him how to present the forgotten man unforgettably."

Steinbeck's works are frequently included on required reading lists in American high schools. His works are much less commonly taught at the university level, particularly when compared to the works of contemparies such as William Faulkner, Ernest Hemingway, and Zora Neale Hurston.

Political views

Steinbeck's literary background brought him into close collaboration with leftist authors, journalists, and labor union figures, who may have influenced his writing. Steinbeck was mentored by radical writers Lincoln Steffens and his wife Ella Winter, and through Francis Whitaker, a member of the United States Communist Party’s John Reed Club for writers, Steinbeck met with strike organizers from the Cannery and Agricultural Workers' Industrial Union.[6]

While definitely sympathetic to the political left, Steinbeck's politics were considerably more ambivalent than those of some of his admirers. A fierce individualist, Steinbeck once stated "socialism is just another form of religion, and thus delusional." [7]

Although the FBI never officially investigated him, Steinbeck did come to their attention because of his political beliefs, and he was screened by Army Intelligence during World War II to determine his suitability for an officer's commission. They found him ideologically unqualified. "Do you suppose you could ask Edgar's boys to stop stepping on my heels? They think I am an enemy alien. It is getting tiresome," Steinbeck wrote to Attorney General Francis Biddle, in 1942. [8]

In later years, he would be criticized from the left by those who accused him of insufficient ideological commitment to Socialism. In 1948 a women's socialist group in Rome, Italy condemned Steinbeck for converting to "the camp of war and anti-Marxism."[9], and in 1955 an article in the Daily Worker criticized Steinbeck's portrayal of the American Left.[10] In 1967, Steinbeck traveled to Vietnam to report on the war, and his sympathetic portrait of the United States Army caused the New York Post to denounce him for betraying his liberal past.

In addition to the above mentioned information, Steinbeck was also a close associate with Arthur Miller, a playwright and author of Death of a Salesman and The Crucible. In the 1950s, Steinbeck took a personal and professional risk by standing up for his companion, who was held in contempt of Congress, for refusing to name names in the infamous HUAC trials, and Steinbeck called the time one of the "strangest and most frightening times a government and people have ever faced".

Bibliography

For more information, see: Works of John Steinbeck.

Books

Film credits

External links

References

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