Time code: Difference between revisions
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In the mid-1950's, the first practical [[videotape recorder|videotape recorders]] were introduced. This shortly gave rise to the need for editing content, but the nature of those machines was such that if tape movement were stopped, a picture was not and could not be displayed. This led to the invention of a '''time code''' address that was recorded on the second audio track of the tape. Times were of the form: hh:mm:ss:ff, where hh means hours, mm means minutes, ss means seconds, and ff means frames. In the days of [[monochrome television]], there were 30 frames per second; [[color television]] in the United States modified this to 29.97 frames per second (fps). Correction of the resulting error with respect to real time was accomplished through the addition of a format called drop-frame, in which two frame addresses were omitted at the first frame of the first second of each minute not evenly divisible by 10. Outside North America, other frame rates were used, such as 25 fps in Europe. Time code has also been used at 24 fps for application to film. | In the mid-1950's, the first practical [[videotape recorder|videotape recorders]] were introduced. This shortly gave rise to the need for editing content, but the nature of those machines was such that if tape movement were stopped, a picture was not and could not be displayed. This led to the invention of a '''time code''' address that was recorded on the second audio track of the tape. Times were of the form: hh:mm:ss:ff, where hh means hours, mm means minutes, ss means seconds, and ff means frames. In the days of [[monochrome television]], there were 30 frames per second; [[color television]] in the United States modified this to 29.97 frames per second (fps). Correction of the resulting error with respect to real time was accomplished through the addition of a format called drop-frame, in which two frame addresses were omitted at the first frame of the first second of each minute not evenly divisible by 10. Outside North America, other frame rates were used, such as 25 fps in Europe. Time code has also been used at 24 fps for application to film. | ||
The definition of this time code was formalized by the SMPTE ([[http://www.smpte.org Society of Motion Picture and Television Engineers]]) in the SMPTE [[12M]] standards document. | The definition of this time code was formalized by the SMPTE ([[http://www.smpte.org Society of Motion Picture and Television Engineers]]) in the SMPTE [[12M]] standards document (SMPTE Standards documents are not available for free download.) | ||
[[Category:CZ Live]] | [[Category:CZ Live]] | ||
[[Category:Media Workgroup]] | [[Category:Media Workgroup]] | ||
Revision as of 06:37, 3 May 2007
In the mid-1950's, the first practical videotape recorders were introduced. This shortly gave rise to the need for editing content, but the nature of those machines was such that if tape movement were stopped, a picture was not and could not be displayed. This led to the invention of a time code address that was recorded on the second audio track of the tape. Times were of the form: hh:mm:ss:ff, where hh means hours, mm means minutes, ss means seconds, and ff means frames. In the days of monochrome television, there were 30 frames per second; color television in the United States modified this to 29.97 frames per second (fps). Correction of the resulting error with respect to real time was accomplished through the addition of a format called drop-frame, in which two frame addresses were omitted at the first frame of the first second of each minute not evenly divisible by 10. Outside North America, other frame rates were used, such as 25 fps in Europe. Time code has also been used at 24 fps for application to film.
The definition of this time code was formalized by the SMPTE ([Society of Motion Picture and Television Engineers]) in the SMPTE 12M standards document (SMPTE Standards documents are not available for free download.)