Now and Zen: Difference between revisions
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{{Infobox Album | {{Infobox Album | ||
|name = Now and Zen | |name = Now and Zen | ||
|image = Image:NZalbum1988.jpg | |image = Image:NZalbum1988.jpg | ||
|caption = | |caption = | ||
|type = Studio album | |type = Studio album | ||
|artist = Robert Plant | |artist = Robert Plant | ||
|released = 29 February 1988 | |released = 29 February 1988 | ||
|recorded = <small>October - November 1987 at<br>Swanyard Studios, London<br>Marcus Studios, London.<br>Mixed at Swanyard Studios, London.</small> | |recorded = <small>October - November 1987 at<br>Swanyard Studios, London<br>Marcus Studios, London.<br>Mixed at Swanyard Studios, London.</small> | ||
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}} | }} | ||
{{TOC|Right}} | {{TOC|Right}} | ||
'''''Now and Zen | '''''Now and Zen''''' is an album by the former Led Zeppelin singer Robert Plant, released in 1988 via the record label Es Paranza. The album generated two Mainstream Rock Tracks|mainstream rock hits, 'Heaven Knows' (Number 1 for six weeks) and 'Tall Cool One' (Number 1 for four weeks), and earned Plant his first solo multi-platinum honour with RIAA.<ref>{{cite journal|author=Pesselnick, Jill|title=Certifications: Beasties Toasted in Latest Certifications|year=2001|month=October|journal=Billboard|volume=113|issue=43|pages=54|issn=0006-2510|accessdate=5 June 2009}}</ref> | ||
==Overview== | ==Overview== | ||
With a new backing band and time to rethink the direction of his career, Plant returned in late 1987 with more of the material that had historically defined him in Led Zeppelin. Although Plant persisted in utilising computerised audio | With a new backing band and time to rethink the direction of his career, Plant returned in late 1987 with more of the material that had historically defined him in Led Zeppelin. Although Plant persisted in utilising computerised audio technology, in a comparable fashion to his anteceding solo issues, for this release Plant re-integrated blues-rock that had all but been relinquished on his 1985 release ''Shaken 'n' Stirred''.<ref>{{cite book|last=Daniels|first=Neil|year=2008|title=Robert Plant: Led Zeppelin, Jimmy Page & the Solo Years|edition=1st|location=Church Stretton, Shropshire|publisher=Independent Music Press|pages=122|isbn=0-9552822-7-6}}</ref> Plant, who often uses mysterious and mystical lyrics, composes some of his most coherent songs, and the manner in which the writing complements the melodic arrangements are partially responsible for the commercial success of ''Now and Zen''. A prominent guitar and an exotic aural texture to the recordings also marked another transformation in Plant's sound, who now added Middle Eastern colouration in compositions like 'Heaven Knows'. This is a musical direction that he would eventually re-engage with in the mid-1990s with the Jimmy Page and Robert Plant project. | ||
This album is also notable in that it marks his first collaboration with keyboardist Phil Johnstone, who would continue to play and write with Plant on subsequent albums, and song-writer producer Dave Barrett. Plant's lifelong loyalty to his favourite Association football|football | This album is also notable in that it marks his first collaboration with keyboardist Phil Johnstone, who would continue to play and write with Plant on subsequent albums, and song-writer producer Dave Barrett. Plant's lifelong loyalty to his favourite Association football|football team Wolverhampton Wanderers (The Wolves) is expressed in the form of wolf motifs on the front cover. The working title for this recording project was in fact ''Wolves''. In another symbolic return to his past, Plant's feather from ''Led Zeppelin IV'' in encapsulated in a crystal, next to the wolf motifs. The charting singles 'Heaven Knows' and 'Tall Cool One' features Led Zeppelin guitarist Jimmy Page (On the liner notes, Page's participation on the recordings were signified with a ''ZoSo'' symbol)<ref>{{cite book|last=Case|first=George|year=2007|title=Jimmy Page: Magus, Musician, Man - An Unauthorized Biography|location=New York|publisher=Hal Leonard|pages=174|isbn=1-4234-0407-1}}</ref>, underpinning a riff similar to the Yardbirds-era standard 'The Train Kept a-Rollinˈ'. In retort to the Beastie Boys' unauthorised sampling of Led Zeppelin songs on their 1986 album ''Licensed to Ill'', Plant also sampled Led Zeppelin tracks ('Whole Lotta Love', 'Black Dog', 'The Ocean (song)|The Ocean', and 'Custard Pie') on 'Tall Cool One', furthermore singing lyrical refrains from 'When the Levee Breaks (Led Zeppelin song)|When the Levee Breaks'.<ref>{{cite book|last=Lewis|first=Dave|year=2004|title=Led Zeppelin: The Complete Guide to Their Music|location=London|publisher=Omnibus Press|pages=|isbn=1-84449-141-2}}</ref> Plant reflects with 'White, Clean and Neat', a song evoking teen life in the mid-1950s, when the arrival of rock 'n' roll divided families and whole generations. 'Walking Towards Paradise' was initially a bonus track obtainable only on the CD version of the album. Rhino Entertainment eventually issued a remastered edition of the album, with additional tracks, on 3 April 2007. | ||
Plant performed 'Heaven Knows', 'Tall Cool One', and 'Ship of Fools' at the Atlantic Records 40th Anniversary concert in 1988. 'Ship of Fools' was also used on the final two-hour episode of ''Miami Vice'' entitled 'Freefall'. | Plant performed 'Heaven Knows', 'Tall Cool One', and 'Ship of Fools' at the Atlantic Records 40th Anniversary concert in 1988. 'Ship of Fools' was also used on the final two-hour episode of ''Miami Vice'' entitled 'Freefall'. | ||
In an interview he gave to ''Uncut (magazine)|Uncut | In an interview he gave to ''Uncut (magazine)|Uncut'' magazine in 2005, Plant commented: {{Quote|By the time ''Now and Zen'' came out in '89, it looked like I was big again. It was a Top 10 album on both sides of the Atlantic. But if I listen to it now, I can hear that a lot of the songs got lost in the technology of the time.<ref>Williamson, Nigel. 'Good Times...Bad Times', ''Uncut (magazine)|Uncut'', May 2005, p. 62.</ref>}} | ||
==Track list== | ==Track list== | ||
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!align='center'|Certification | !align='center'|Certification | ||
|- | |- | ||
| United States (RIAA | | United States (RIAA) | ||
|align='center'|3,000,000+ | |align='center'|3,000,000+ | ||
|align='center'|3× Multi-Platinum<ref>{{cite web | url = http://www.riaa.org/goldandplatinumdata.php?table=SEARCH_RESULTS | title = RIAA.org Now and Zen - 7 September 2001| publisher = RIAA | accessdate = 20 April 2009}}</ref> | |align='center'|3× Multi-Platinum<ref>{{cite web | url = http://www.riaa.org/goldandplatinumdata.php?table=SEARCH_RESULTS | title = RIAA.org Now and Zen - 7 September 2001| publisher = RIAA | accessdate = 20 April 2009}}</ref> |
Revision as of 17:47, 3 April 2024
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Now and Zen is an album by the former Led Zeppelin singer Robert Plant, released in 1988 via the record label Es Paranza. The album generated two Mainstream Rock Tracks|mainstream rock hits, 'Heaven Knows' (Number 1 for six weeks) and 'Tall Cool One' (Number 1 for four weeks), and earned Plant his first solo multi-platinum honour with RIAA.[1] OverviewWith a new backing band and time to rethink the direction of his career, Plant returned in late 1987 with more of the material that had historically defined him in Led Zeppelin. Although Plant persisted in utilising computerised audio technology, in a comparable fashion to his anteceding solo issues, for this release Plant re-integrated blues-rock that had all but been relinquished on his 1985 release Shaken 'n' Stirred.[2] Plant, who often uses mysterious and mystical lyrics, composes some of his most coherent songs, and the manner in which the writing complements the melodic arrangements are partially responsible for the commercial success of Now and Zen. A prominent guitar and an exotic aural texture to the recordings also marked another transformation in Plant's sound, who now added Middle Eastern colouration in compositions like 'Heaven Knows'. This is a musical direction that he would eventually re-engage with in the mid-1990s with the Jimmy Page and Robert Plant project. This album is also notable in that it marks his first collaboration with keyboardist Phil Johnstone, who would continue to play and write with Plant on subsequent albums, and song-writer producer Dave Barrett. Plant's lifelong loyalty to his favourite Association football|football team Wolverhampton Wanderers (The Wolves) is expressed in the form of wolf motifs on the front cover. The working title for this recording project was in fact Wolves. In another symbolic return to his past, Plant's feather from Led Zeppelin IV in encapsulated in a crystal, next to the wolf motifs. The charting singles 'Heaven Knows' and 'Tall Cool One' features Led Zeppelin guitarist Jimmy Page (On the liner notes, Page's participation on the recordings were signified with a ZoSo symbol)[3], underpinning a riff similar to the Yardbirds-era standard 'The Train Kept a-Rollinˈ'. In retort to the Beastie Boys' unauthorised sampling of Led Zeppelin songs on their 1986 album Licensed to Ill, Plant also sampled Led Zeppelin tracks ('Whole Lotta Love', 'Black Dog', 'The Ocean (song)|The Ocean', and 'Custard Pie') on 'Tall Cool One', furthermore singing lyrical refrains from 'When the Levee Breaks (Led Zeppelin song)|When the Levee Breaks'.[4] Plant reflects with 'White, Clean and Neat', a song evoking teen life in the mid-1950s, when the arrival of rock 'n' roll divided families and whole generations. 'Walking Towards Paradise' was initially a bonus track obtainable only on the CD version of the album. Rhino Entertainment eventually issued a remastered edition of the album, with additional tracks, on 3 April 2007. Plant performed 'Heaven Knows', 'Tall Cool One', and 'Ship of Fools' at the Atlantic Records 40th Anniversary concert in 1988. 'Ship of Fools' was also used on the final two-hour episode of Miami Vice entitled 'Freefall'. In an interview he gave to Uncut (magazine)|Uncut magazine in 2005, Plant commented:
Track list
Chart positionsAlbum
Singles
CertificationsAlbum
Credits
Notes
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