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== '''[[Ontological pluralism]]''' ==
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In [[philosophy]] the branch called '''ontological pluralism''' is the doctrine that there are different ways or modes of being.<ref name=Turner/>  "There are numbers, fictional characters, impossible things, and holes. But, we don’t think these things all exist in the same sense as cars and human beings."<ref name=Spencer/><ref name=Gardner/>
==Footnotes==
 
It is common to refer to a film, novel or otherwise fictitious or virtual narrative as not being 'real'. Thus, the characters in the film or novel are not real, where the 'real world' is the everyday world in which we live. However, as authors are wont to say, fiction informs our concept of reality, and so has ''some'' kind of reality.<ref name=Prentice/><ref name=Castaneda/>
 
In the sciences, theories are developed to explain observations, giving rise to specialized vocabularies with specific meanings in the context of a given theory. Thus, '[[electron]]'s exist in different senses in different theoretical contexts. The meanings of 'electron' in [[chemistry]], in the [[Standard Model]] of particle physics, in [[electromagnetism]] are connected, but from a practical standpoint vary with context. Perhaps an even more striking example is the concept of '[[temperature]]' which has a different definition in [[thermodynamics]] than in [[statistical mechanics]]: the two definitions can be related, but the concept has two logically distinct existences, one entirely macroscopic, the other at an atomic level.
 
Technically, ontological pluralism claims that an accurate description of reality uses multiple ''quantifiers'' (see below for more on this term) that do not range over a single domain.<ref name=Turner/> A very brief outline of some technical terms is proved next to make this second description clearer.
 
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Latest revision as of 10:19, 11 September 2020

1901 photograph of a stentor (announcer) at the Budapest Telefon Hirmondó.

Telephone newspaper is a general term for the telephone-based news and entertainment services which were introduced beginning in the 1890s, and primarily located in large European cities. These systems were the first example of electronic broadcasting, and offered a wide variety of programming, however, only a relative few were ever established. Although these systems predated the invention of radio, they were supplanted by radio broadcasting stations beginning in the 1920s, primarily because radio signals were able to cover much wider areas with higher quality audio.

History

After the electric telephone was introduced in the mid-1870s, it was mainly used for personal communication. But the idea of distributing entertainment and news appeared soon thereafter, and many early demonstrations included the transmission of musical concerts. In one particularly advanced example, Clément Ader, at the 1881 Paris Electrical Exhibition, prepared a listening room where participants could hear, in stereo, performances from the Paris Grand Opera. Also, in 1888, Edward Bellamy's influential novel Looking Backward: 2000-1887 foresaw the establishment of entertainment transmitted by telephone lines to individual homes.

The scattered demonstrations were eventually followed by the establishment of more organized services, which were generally called Telephone Newspapers, although all of these systems also included entertainment programming. However, the technical capabilities of the time meant that there were limited means for amplifying and transmitting telephone signals over long distances, so listeners had to wear headphones to receive the programs, and service areas were generally limited to a single city. While some of the systems, including the Telefon Hirmondó, built their own one-way transmission lines, others, including the Electrophone, used standard commercial telephone lines, which allowed subscribers to talk to operators in order to select programming. The Telephone Newspapers drew upon a mixture of outside sources for their programs, including local live theaters and church services, whose programs were picked up by special telephone lines, and then retransmitted to the subscribers. Other programs were transmitted directly from the system's own studios. In later years, retransmitted radio programs were added.

During this era telephones were expensive luxury items, so the subscribers tended to be the wealthy elite of society. Financing was normally done by charging fees, including monthly subscriptions for home users, and, in locations such as hotel lobbies, through the use of coin-operated receivers, which provided short periods of listening for a set payment. Some systems also accepted paid advertising.

Footnotes