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== '''[[Standard argument against free will]]''' ==
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The '''standard argument against free will''' is an argument that there exists a conflict between the possibility of [[free will]] and the postulates of [[determinism]] and [[indeterminism]]. A number of authors use this terminology.<ref name=Hobbs/><ref name=Doyle/>
==Footnotes==
 
A formal statement of the 'standard argument' can be phrased as follows:<ref name=BDoyle/><ref name=JMFischer/>
:1.&emsp;The concept of determinism contradicts that of free will.
:2.&emsp;The concept of indeterminism also contradicts free will.
:3.&emsp;Some occurrences are governed by determinism, and all the rest by indeterminism.
 
all of which lead to the conclusion:
:4.&emsp;Free will does not govern any occurrences (does not exist).
 
The first two premises sometimes are referred to as the "deterministic" and "indeterministic" horns of the [[dilemma of determinism]],<ref name=FischerDoyle/>  the conflict between the intuition of personal autonomy and the intuition that the world proceeds in a manner independent of human concerns.
 
''[[Standard argument against free will|.... (read more)]]''
 
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Latest revision as of 10:19, 11 September 2020

1901 photograph of a stentor (announcer) at the Budapest Telefon Hirmondó.

Telephone newspaper is a general term for the telephone-based news and entertainment services which were introduced beginning in the 1890s, and primarily located in large European cities. These systems were the first example of electronic broadcasting, and offered a wide variety of programming, however, only a relative few were ever established. Although these systems predated the invention of radio, they were supplanted by radio broadcasting stations beginning in the 1920s, primarily because radio signals were able to cover much wider areas with higher quality audio.

History

After the electric telephone was introduced in the mid-1870s, it was mainly used for personal communication. But the idea of distributing entertainment and news appeared soon thereafter, and many early demonstrations included the transmission of musical concerts. In one particularly advanced example, Clément Ader, at the 1881 Paris Electrical Exhibition, prepared a listening room where participants could hear, in stereo, performances from the Paris Grand Opera. Also, in 1888, Edward Bellamy's influential novel Looking Backward: 2000-1887 foresaw the establishment of entertainment transmitted by telephone lines to individual homes.

The scattered demonstrations were eventually followed by the establishment of more organized services, which were generally called Telephone Newspapers, although all of these systems also included entertainment programming. However, the technical capabilities of the time meant that there were limited means for amplifying and transmitting telephone signals over long distances, so listeners had to wear headphones to receive the programs, and service areas were generally limited to a single city. While some of the systems, including the Telefon Hirmondó, built their own one-way transmission lines, others, including the Electrophone, used standard commercial telephone lines, which allowed subscribers to talk to operators in order to select programming. The Telephone Newspapers drew upon a mixture of outside sources for their programs, including local live theaters and church services, whose programs were picked up by special telephone lines, and then retransmitted to the subscribers. Other programs were transmitted directly from the system's own studios. In later years, retransmitted radio programs were added.

During this era telephones were expensive luxury items, so the subscribers tended to be the wealthy elite of society. Financing was normally done by charging fees, including monthly subscriptions for home users, and, in locations such as hotel lobbies, through the use of coin-operated receivers, which provided short periods of listening for a set payment. Some systems also accepted paid advertising.

Footnotes