The Arena (novel)

(CC) Photo: Clayton Evans
William Haggard on the back cover of The Conspirators, 1967

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The Arena is a 1961 suspense novel by the British author William Haggard published in England by Cassell and in the United States by Washburn. It was Haggard's third of 21 books involving his protagonist Colonel Charles Russell, the head of the unobtrusive but lethal Security Executive, a government counter-intelligence agency, where he moves easily and gracefully along C.P. Snow's Corridors of Power. Like all of the other works by Haggard it is a standard novel of suspense, but combined, as usual with Haggard, with other elements: the reactions of those in high government positions who fear non-political events that could endanger Britain's place in the world, along with a tough-minded, even cynical depiction of financial shenanigans in the City of London. And like Venetian Blind (novel), Haggard's previous book, it is very much a novel of character.

Plot

Protagonist is perhaps too strong a word to describe Colonel Russell. As Haggard himself wrote about his fiction:

My novels are chiefly novels of suspense with a background of international politics. A Colonel Charles Russell of the Security Executive, a not entirely imaginary British counter-espionage organization, while not a protagonist in the technical sense, holds the story line together in the background by his operations, while the characters in the foreground carry the action."

Although Russell remains in the background for much of the book, he is nevertheless seen more often than in his first two appearances. In the previous book, he was sixty and supposedly about to retire; in Arena, however, no mention is made of this. His invaluable assistant from the first book, Major Mortimer, now with a first name (Robert), reappears and is in almost every scene in which Russell appears, frequently disagreeing with him about what course of action should be taken. The plot itself is relatively simple: a British company has made developments in the fields of radar and electronics that will be valuable assets for the country. They have, however, borrowed money from a old-time private bank in the City, in order to finance this development. An unscrupulous, and highly murderous, Swiss financier is aware of this situation and determines to take over first the bank that make the loan, and then the company itself, thereby gaining control of the technological developments. The British government becomes aware of this and directs Colonel Russell to make sure that this plan is thwarted. Much of the book is then devoted to the character of two or three of the people most involved with the various family-owned private banks that are central to the plot. Class background and bitter jealousies because of them are important elements, as in many of Haggard's books, and although perhaps trivial in nature lead to murderous outcomes. One of the families involved has a deep Italian background and so the action moves from England to Italy and back and finally ends with a deadly dénouement on the island of Capri. The outcome is highly successful from Russell's in one sense but only if the human cost is not reckoned. From that standpoint, his interventions have been bleak, grim, and unrewarding.

Reception and/or Appraisal

At least some critics in England were enthusiastic:

New Statesman, date unknown: Could hardly be bettered in its chosen field.

Nicholas Blake, Sunday Telegraph, date unknown: Fulfils ones worst apprehensions about big-business morality. Warmly recommended.