Entrainment (biomusicology)/Bibliography: Difference between revisions
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imported>Daniel Mietchen (started) |
imported>Daniel Mietchen (+two) |
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{{cite | *{{cite journal | ||
| author = | | author = Gibson, G. | ||
| | | coauthors = Russell, I. | ||
| year = | | year = 2006 | ||
| | | title = Flying in Tune: Sexual Recognition in Mosquitoes | ||
| title = The | | journal = Current Biology | ||
| pages = | | volume = 16 | ||
| | | issue = 13 | ||
| pages = 1311-1316 | |||
| url = http://linkinghub.elsevier.com/retrieve/pii/S0960982206016368 | |||
}} | |||
*{{cite journal | |||
| author = Brown, S. | |||
| coauthors = Martinez, M.J.; Parsons, L.M. | |||
| year = 2006 | |||
| title = The Neural Basis of Human Dance | |||
| journal = Cerebral Cortex | |||
| volume = 16 | |||
| issue = 8 | |||
| pages = 1157-1167 | |||
| doi = 10.1093/cercor/bhj057 | |||
}} | |||
*{{cite journal | |||
| author = Seitz, J.A. | |||
| year = 2005 | |||
| title = Dalcroze, the body, movement and musicality | |||
| journal = Psychology of Music | |||
| volume = 33 | |||
| issue = 4 | |||
| pages = 419 | |||
| doi = 10.1177/0305735605056155 | |||
}} | |||
*{{cite journal | |||
| author = Clayton, M. | |||
| coauthors = Sager, R.; Will, U. | |||
| year = 2004 | |||
| title = In time with the music: The concept of entrainment and its significance for ethnomusicology | |||
| journal = ESEM Counterpoint | |||
| volume = 1 | |||
| pages = 1-82 | |||
| url = http://sica.stanford.edu/events/brainwaves/Will-InTimeWithTheMusic.pdf | |||
}} | }} | ||
*{{cite journal | |||
{{cite journal | |||
| author = Hagen, E.H. | | author = Hagen, E.H. | ||
| coauthors = Bryant, G.A. | | coauthors = Bryant, G.A. | ||
| Line 22: | Line 53: | ||
| pages = 21-51 | | pages = 21-51 | ||
| url = http://www.springerlink.com/index/XWG77394XXEKHKVB.pdf | | url = http://www.springerlink.com/index/XWG77394XXEKHKVB.pdf | ||
}} | }} | ||
*{{cite book | |||
{{cite | | author = Merker, B. | ||
| author = | | editor = Wallin, N. L., Merker, B. and Brown, S. | ||
| | | year = 2000 | ||
| year = | | chapter = [http://homepages.uel.ac.uk/C.Knight/Synchronised%20Chorusing.pdf Synchronous chorusing and human origins] | ||
| title = The origins of music | |||
| pages = 315-327 | |||
| | |||
| title = | |||
| pages = | |||
}} | }} | ||
Revision as of 15:58, 11 July 2008
- Please sort and annotate in a user-friendly manner. For formatting, consider using automated reference wikification.
- Gibson, G.; Russell, I. (2006). "Flying in Tune: Sexual Recognition in Mosquitoes". Current Biology 16 (13): 1311-1316.
- Brown, S.; Martinez, M.J.; Parsons, L.M. (2006). "The Neural Basis of Human Dance". Cerebral Cortex 16 (8): 1157-1167. DOI:10.1093/cercor/bhj057. Research Blogging.
- Seitz, J.A. (2005). "Dalcroze, the body, movement and musicality". Psychology of Music 33 (4): 419. DOI:10.1177/0305735605056155. Research Blogging.
- Clayton, M.; Sager, R.; Will, U. (2004). "In time with the music: The concept of entrainment and its significance for ethnomusicology". ESEM Counterpoint 1: 1-82.
- Hagen, E.H.; Bryant, G.A. (2003). "Music And Dance As A Coalition Signaling System". Human Nature 14 (1): 21-51.
- Merker, B. (2000). “Synchronous chorusing and human origins”, Wallin, N. L., Merker, B. and Brown, S.: The origins of music, 315-327.